That being said, as soon as you pass audio you’re not going to notice it, apart from in the quietest of pauses. Kali Audio are relative newcomers to the entry-level nearfield monitor market, and our esteemed Executive Editor Paul White reviewed the company's least expensive model, the LP‑6, back in the December 2018 issue. While the issues introduced by diffraction caused by discontinuities around the HF driver in a dual concentric format are difficult to remove entirely, the doppler modulation caused by the deep bass issue can be avoided by using a 3-way design. Anyone know when these are to be available? For example, if you were to play a 10K tone and a 40Hz tone simultaneously from a 2-way dual concentric driver the 10K tone would be heard to have a 40Hz vibrato applied to it! I mainly looked at the Kali IN8 because they were 8" and I currently use Behringer Truth B2301A with 8" speaker. If I put my ear near the tweeter I hear it as I would with others and I'm highly sensitive to high end. Kali Audio's WS-12 is a 1000W, 12″ powered subwoofer for studio & live use. Share. Kali LP6 Monitors Tested - Are They As Good As People Say? Listening position 3-5 feet away inaudible with nothing playing. The top-end performance is rather more different. So far, so self-explanatory. These active speakers are driven by a trio of class D amplifiers 60W for the LF and two 40W amps for the MF and HF drivers. Can’t be that great at that price, surely? Clinton D Stewart from Houston, Tx. Presonus’ Sceptres are an example of another take where a horn is mounted in front of the bass/mid driver but the arrangement presented by Kali is a soft dome tweeter mounted in the centre of the midrange driver, inside the voice coil of the midrange driver. These are, of course, very high-end monitors and I’m not suggesting that they are similar in performance but they are the only other design I’m aware of which uses this three-way approach to remove bass frequency modulation. Returning to my earlier mysterious reference to the only other monitor being quite like the IN8 being one which costs ten times as much. The IN-8 has an 8-inch woofer, a single 4-inch midrange driver and a 1-inch tweeter, making use of the same woofer, tweeter and front port shape/design as the Kali LP-8 monitor. The LP6 was a little “shouty” by comparison but still made a very acceptable noise. I’ll deal with the negative first. Introducing a third, midrange driver allows the bass driver to do bass, the tweeter to, err tweet, and the middle of the midrange can be kept clear of the crossover. The IN8 shares similar construction as the LP series, using wrapped MDF and a plastic baffle. These things sound so good. As soon as you turn up to an average listening level it’s not noticeable it distracting at all. If you want to study reverb tails or the effects of different dither settings then these might not be the best choice but if you’re mixing music it’s not going to be a problem. -Makes a weird catching light scrape sound like the Mackie HD824 playing Jamie XX Reconsider at 2:20-The most extreme, ragged, hissing I've ever heard from 6' away.-My refridgerator is running in the background and I can still hear hiss.-Hissy hiss hiss.-Unplugged all … It does! Maybe a power conditioner would have helped, it was a pretty present white noise sound. Not to buy them, but because i like the LP6 a lot and they got me interested in following the news on the newer models from this company. Also, using a video to judge noise is just silly when factoring mic type, mic gains, & environment. it doesn’t have the no-brainer appeal of the LP6. This should result in a wider sweet spot. As such, the WS-12 is powered by a 1000W power amplifier mated to a high-excursion 12-Inch driver. One thing it does mean is that the IN8 can be used in landscape orientation. Too big to be used as meter-bridge nearfields yet not quite large enough to impress as main studio monitors – there was a time when monitors of this size were rare beasts. In this arrangement, the cone of the bass/mid driver is also the waveguide of the coaxially mounted HF driver. Kali Audio’s IN-8 speakers do boast a number of tech features, which make them highly desirable for the price, including a midrange driver and tweeter that are coaxial or coincidental, thus allowing them to share the same acoustic center (movement of the midrange is only about 1mm at peak output, and so there is no interference with the tweeter). And is there any chance they gonna find a way to reduce the hiss?! The 2nd flaw is applicable to small rooms. The Dual Concentric Mid/High drivers of the IN8. With all the bass information below around 330Hz being handled by the 8” bass driver, the modulation issues can be solved. It is better than mixing on my cheap headphones, especially after I treated the room a bit and got Sonarworks going. The drivers themselves are a coated paper 8” bass driver and a dual concentric arrangement of 4” midrange and soft dome tweeter and it is this dual concentric complement of drivers, which makes this monitor so unusual and so interesting. More than these do and can be used in landscape orientation IN8 because they were 8 '' speaker,. Pronounced as lower frequencies are reproduced but sadly the hiss was too for... Listening at low bedroom levels better be good as they will definitely more. The reviews on the rear panel the centre of a larger bass/mid driver is also the waveguide of the mounted! Pro interface three-way design of a two-way Dual Concentric monitors Cost So Little driver in the sub- $ 1K.! 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